7 edition of Shakespearean performance found in the catalog.
Shakespearean performance
Published
2007
by Fairleigh Dickinson University Press in Madison [N.J.]
.
Written in English
Edition Notes
Includes bibliographical references (p. ) and index.
| Statement | edited by Frank Occhiogrosso. |
| Genre | Film and video adaptations. |
| Contributions | Occhiogrosso, Frank, 1943- |
| Classifications | |
|---|---|
| LC Classifications | PR3091 .S67 2007 |
| The Physical Object | |
| Pagination | p. cm. |
| ID Numbers | |
| Open Library | OL17441084M |
| ISBN 10 | 0838641288 |
| ISBN 10 | 9780838641286 |
| LC Control Number | 2007010696 |
Shakespeare has long been considered the pre-eminent poet and dramatist of the English-speaking world. But although he is the most frequently performed playwright in the world, little attention has been paid to theatrical production of his plays outside the English language. This is the first collection to offer a considered account of contemporary Shakespeare performance in non-English. William Shakespeare is in the garden, fretting about his lack of productivity. Bard in the Yard, by the company Will & Co, brings socially distanced Shakespeare to your home. Tonight, the .
Shakespeare, Performance, and Autobiographical Interventions By Huang, Alexander Shakespeare Bulletin, Vol. 24, No. 2, Summer PR PEER-REVIEWED PERIODICAL Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s). Get this from a library! Players of Shakespeare: essays in Shakespearean performance. [Philip Brockbank; Royal Shakespeare Company.;] -- This is believed to be the first book of its kind. Twelve distinguished actors were asked to write about the preparation and performance of a Shakespeare role they had played in a production with the.
ISBN: OCLC Number: Notes: On cover: John Bowew [and others]. Originally published as Players of Shakespeare: essays in Shakespearean performance. Snacking In Shakespeare's Time: What Theatregoers Ate At The Bard's Plays: The Salt There were no dress circle lounges nor mezzanine bars .
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General editor, with Carol Rutter, of the Shakespeare in Performance Series for Manchester University Press, he has written a performance history of The Merchant of Venice () and edited anthologies on Shakespeare on Television (with Shakespearean performance book.
Coursen, ), Shakespeare, Theory, and Performance (), and Shakespeare Re-Dressed: Cross-Gender Casting in Contemporary Performance ().
Book Description This is the fourth volume of essays by actors with the Royal Shakespeare Company. Twelve actors describe the Shakespearian roles they played in productions between and The plays covered include The Merchant of Venice, Love's Labour's Lost, The Taming of the Shrew, The Winter's Tale, and Romeo and Juliet, among others.5/5(1).
About this Elements Series: Elements in Shakespeare Performance is a dynamic collection of scholarship in a field that is at once always emerging and always evanescent. Responding incisively to the global range of Shakespeare performance today, the collection is a carefully curated hub launching provocative, urgent criticism for researchers, graduate students and practitioners.
Shakespeare in Performance showcases rare and unique prompt books from the world-famous Folger Shakespeare Library. These prompt books tell the story of Shakespeare’s plays as they were performed in theatres throughout Great Britain, the United States Shakespearean performance book internationally, between the seventeenth and twentieth centuries.
New Book: Local and Global Myths in Shakespearean Performance Local and Global Myths in Shakespearean Performance. Edited by Aneta Mancewicz and Alexa Alice Joubin. In the Reproducing Shakespeare series (ed. Tom Cartelli and Katherine Rowe).
Author: Michael Dobson Publisher: Cambridge University Press ISBN: Size: MB Format: PDF, ePub, Docs View: Get Books. Shakespeare And Amateur Performance Shakespeare And Amateur Performance by Michael Dobson, Shakespeare And Amateur Performance Books available in PDF, EPUB, Mobi Format.
Download Shakespeare And Amateur Performance books. Strictly speaking, “promptbooks” are play texts marked up prior to performance in order to indicate for the stage prompter the cuts, changes, additions, entrances and exits, and other stage business he is to follow in conducting the performance.
Some prompt books are extremely detailed, while others have hardly any notes at all. Most prompt books in the resource have a 'Primary Association' - that is, the individual with the closest connection to that particular copy of the prompt book. In many cases this is the owner of the book, or the person who made the annotations.
Performances during Shakespeare's lifetime. The troupe for which Shakespeare wrote his earliest plays is not known with certainty; the title page of the edition of Titus Andronicus reveals that it had been acted by three different companies.
After the plagues of –93, Shakespeare's plays were performed by the Lord Chamberlain's Men, a new company of which Shakespeare was a founding. Shakespearean Performance: New Studies contains ten essays in Shakespearean performance scholarship, plus an introduction by the editor.
"Shakespearean Neuroplay is an important contribution to theatre and performance studies. Rigorously engaging current cognitive studies, Cook offers nuanced and sometimes surprising insights into Shakespeare (particularly Hamlet) that are of use not Cited by: A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance cturer: Wiley-Blackwell.
PDF book with title Local And Global Myths In Shakespearean Performance by Aneta Mancewicz suitable to read on your Kindle device, PC, phones or tablets.
Available in PDF, EPUB, and Mobi Format. Local And Global Myths In Shakespearean Performance Author: Aneta Mancewicz. CLICK ON THE ACTORS' NAMES TO READ ABOUT THEIR PERFORMANCE. BARRY SULLIVAN as RICHARD III Richard III. LAURENCE OLIVIER as SIR TOBY BELCH Twelfth Night.
ALAN HOWARD as OBERON/THESEUS A Midsummer Night's Dream. PAUL SCOFIELD as TIMON. Shakespearean performance as interpretation (Book, ) [] Get this from a library. Shakespearean performance as interpretation. Download Shakespeare S Theatres And The Effects Of Performance full book in PDF, EPUB, and Mobi Format, get it for read on your Kindle device, PC, phones or tablets.
Shakespeare S Theatres And The Effects Of Performance full free pdf books. Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural : James C.
Bulman. Includes detailed listings of all major Shakespeare plays on stage and screen, this book covers performances in North America since It uniquely explores each plays' performance history, as. Shakespeare in performance / Published: () Shakespeare in performance / Published: () Lancaster Ave., Villanova, PA Contact.
Contains ten essays in Shakespearean performance scholarship. This title cover such areas as the Globe playhouse, the staging of certain plays, the film versions of several plays, cross-dressing, and the play-within-the-play, as well as other areas of interest to students of Shakespearean performance.
Every word, performance, astute or humorous thought of this book is exceptional. J.T. McDaniel's background as an actor shines through it. But you don't have to be an actor to enjoy this book. Just have an interest in Shakespeare, or characterization, or language, theater, or the teaching of theater.
This book is a treasure trove.Book description Voices and accents are increasingly perceived as central markers of identity in Shakespearean performance. This book presents a history of the reception of Shakespeare on the English stage with a focus on the vocal dimensions of theatrical performance.It is a book concerned with theatrical illusion; with the pleasures and disturbances of seeing 'characters' produced in the moment of performance.
Through analysis of contemporary productions Talking to the Audience serves to demonstrate how the study of recent performance helps us to understand both Shakespeare's cultural moment and our own.
